Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...

Seven Shades of Nothing’s new single, “When The Lights Go Down,” offers an incredibly peculiar form of comfort—it’s a soundtrack for deciding, over your third cup of lukewarm coffee, that perhaps global, society-dissolving collapse might actually be a blessed relief. James Cole, the project’s architect, doesn't sound panicked about the approaching end; he sounds incredibly, beautifully bored by everything that led up to it. https://open.spotify.com/album/0Z5K652TNvuB9fpt9Amdut?si=_mevo7tcSGunNpswpfCSsQ This...