Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...

Audra Watt’s new single, “Livin’ It Up,” arrived sounding like a car stereo blasting down a highway you’ve never driven before, fueled by a full tank and a spectacular disregard for the GPS. This isn’t a polite suggestion to change your life; it's a three-minute rock-and-roll sermon on the glory of ripping up the map entirely, delivered with a voice that balances Nashville honesty...