Empty Pinata – remember LA Rodriguez? – serves up the single "Bonfire," and honestly, the air changes slightly when you play it. It’s less like passively listening and more like discovering a singed diary page fluttering down a quiet street. The music itself is this curious contradiction, wrapping harrowing emotional shrapnel in the comforting gauze of indie-pop, flecked with soft rock warmth. A strangely...

Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...