Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

With Twaang’s latest release, "Zone", we aren't so much listening to a collection of tracks as we are stepping inside a distinct architectural layout of the human psyche. This innovative solo project has constructed a psychological journey that feels suspiciously like the progression of a panic attack resolving into a state of zen-like lucidity a transition usually reserved for monks or people who have...