Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

When you hear the name Stephen Thomas, you might right away think of Charleston, West Virginia, or maybe his own genre name, "Universal" As a label, it does not feel like a neat box. Instead, it feels like an open field where hip-hop and alternative pop music mix. His most recent song, "Breaking Hearts," sounds a lot like that. It utilises sounds from artists like...