There is something deliciously conspiratorial about Hidden Shores and the release of the "Neon Silence" EP. I find myself picturing the artist wiping chalk dust off their hands after a day of teaching elementary schoolers, only to go home, dim the lights, and converse with algorithms. It’s not your typical moonlighting gig; while most are decompressing with reality TV, Hidden Shores is out there...

It’s strange to think about silence as a form of noise, isn’t it? The kind that fills a room after you've heard something so emotionally dense, anything else feels obnoxious. That’s the type of quiet that "Not Turning Back" by Baylee Dowling leaves behind. It’s not the silence of emptiness, but the kind where something just sank deep into your chest, and you need...