Listening to Libby Ember’s single “Alibi” is a study in strange emotional temperatures. The sound is a down-tempo, sun-dusted blanket of soft guitars and gentle synth pads, the kind of arrangement you’d put on to feel safe. But the feeling it leaves behind is a deep, architectural cold, the kind you find in the shadowed corners of an old stone church long after the...

The first listen of Haus of Sound’s new single, “Mirage,” is like walking into a room where a beautifully ornate vase has just been shattered against a wall. There's a jagged, crystalline energy here, a collision of theatrical drama and raw, modern discontent. Evolving from their 2000s tribute roots, the Everett band has synthesized the best of that era’s angst—the coiled tension of early...