Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...

Glass Cabin’s latest single, “I Don’t Know,” feels less like a song arriving and more like something found already playing in a dusty, roadside motel room you didn’t intend to stop at. Jess Brown and Dave Flint, the architects of this Nashville duo, have conjured a piece that sits squarely in their poetic intersection of country rock atmosphere and gothic Americana shadowplay. It's a...