KAYTIE’s new single "Evil Person" arrives with the pristine, deliberate clarity of a single ice cube cracking in a silent room. For a piano-driven ballad, there is a surprising amount of sharp edges here. Kaytie Kear, the 20-year-old singer and songwriter behind the name, doesn’t just perform a song of heartbreak; she presents evidence. This is the autopsy of a connection so personal and...

Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...