Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...

When you hear the name Stephen Thomas, you might right away think of Charleston, West Virginia, or maybe his own genre name, "Universal" As a label, it does not feel like a neat box. Instead, it feels like an open field where hip-hop and alternative pop music mix. His most recent song, "Breaking Hearts," sounds a lot like that. It utilises sounds from artists like...