Post-punk and corporate jargon have seldom been this intimate. When Charts and Graphs dropped "Assume the Position," I wasn’t expecting them to twist a cubicle-bound lexicon into something that dances around your brain like your 1984 office nightmares had a rhythmic pulse. But here we are, shoulders bouncing while existential dread whispers in the ear. It's synthetic, it’s tangible, but it’s also claustrophobic. It's...

Some doors do not close with a slam. They remain half-open, daring a person to walk back through them after the room behind them has grown small and airless. The past can be persuasive that way. It offers familiar furniture, old names, a version of comfort that asks too much in return. "Backwards, Baby," the latest single from Caitlin Kent-Halliday, begins from that human pressure...