Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...

Mike Stewart Theory’s new single, “It Reaches Us,” feels less like a piece of music and more like a strange meteorological event happening inside your head. You’re immediately dropped into a groove that has the smooth, shoulder-rolling confidence of 80s soul, but something is off in the atmosphere. The air is thick with a psychedelic haze, a sense of temporal displacement that is both...