Listening to Chelsea Rebecca’s new single, “Little Girl”, is like finding a devastatingly honest diary entry tucked inside a brightly-coloured travel guide for a city you’ll never visit. It begins with the expected folk-pop intimacy: Rebecca’s silky voice sketching a scene so close it feels confidential. But the intimacy is a feint. This isn’t a quaint room for quiet reflection; it's a cage with...

Martin Yates’s new single, “Now or Never”, doesn’t ask for your time; it issues a three-minute summons. This is the sound of someone pushing their chair back from the table, the scrape of the legs on the floor echoing a decision that’s been brewing for years. Channeling the wounded pride of 1960s soul legends, Yates builds a monument to the moment the heart finally...