Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

With The Vildes releasing "Manicure for the Strangers", I found myself instinctively checking my reflection in the black screen of my monitor, correcting a frown that absolutely no one was around to see. It’s an uncanny reaction, but then again, Ingvild Tafjord, Hilde Wahl, and Glenn Tvedt specialize in this specific breed of beautifully curated anxiety. They understand the weight of the mask. https://open.spotify.com/track/14FyhVuMhJ0bHGmlF08ztU?si=215d0df609044463 The track...