Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

Some doors do not close with a slam. They remain half-open, daring a person to walk back through them after the room behind them has grown small and airless. The past can be persuasive that way. It offers familiar furniture, old names, a version of comfort that asks too much in return. "Backwards, Baby," the latest single from Caitlin Kent-Halliday, begins from that human pressure...