Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

Listening to Rewind The Mind's new single, "Come On With Me," is like being pulled into a room where the air itself is the color of marmalade. This Brighton outfit builds a foundation that’s both impossibly tight and wonderfully languid; the bassline functions less as an instrument and more as the steady, reliable metronome of your hips, while clean horns slice through the haze....