Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...

Listening to Rewind The Mind's new single, "Come On With Me," is like being pulled into a room where the air itself is the color of marmalade. This Brighton outfit builds a foundation that’s both impossibly tight and wonderfully languid; the bassline functions less as an instrument and more as the steady, reliable metronome of your hips, while clean horns slice through the haze....