Listening to “Small Town Syndrome” by thinking silly is an exercise in delightful contradiction. Dylan Morrison’s project, shaped here by the production hand of collaborator Margot Taylor, builds a sleek, propulsive chassis of dark pop and minimal techno, only to house an engine of pure, grinding ache. It’s the sound of someone forcing a smile so wide their face hurts, a dance track for...

There is a specific weight to Chellcy Reitsma’s "Carpe Diem," one that feels less like a motivational poster and more like a heavy coin you’ve carried in your pocket for years, its edges worn smooth by worry. It announces its intention with a title we think we know, a bright promise of seizing the day, but the music itself doesn't offer easy platitudes. Instead,...