Seishin Takeno's "Echoes," a sonic postcard from Kanagawa. Nine instrumental pieces, I've been told. Not nine songs, mind you – more like nine shaded windows into a particular kind of quiet. This isn't music that yells; it leans in, like a friend confiding a secret you half-hear on a summer porch. Immediately, you're not so much listening as remembering. Or maybe anticipating. It feels...

There is a peculiar kind of engine at the heart of "Half Evil" by Tomato Soup, and it runs not on gasoline but on disorientation. The Denver six-piece calls their sound "Motor-Folk," and it fits. The track has the chugging, forward-moving momentum of a vehicle, yet it seems to be driving through a landscape seen in a fever dream, where the signposts are all...