Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

When Maddy Carty opens her new EP, "Otherhood", she bypasses the shiny veneer of typical pop releases and aims squarely for the marrow of our messy, complicated realities. The London singer-songwriter possesses a uniquely commanding, almost suspiciously delicate vocal tone. She uses it here as a surgical tool to dissect womanhood, pure exhaustion, and the quiet thrill of finally drawing firm boundaries. https://open.spotify.com/album/2wlOyMsIGY4Z0QufDDiaii?si=89YbdMh1TNeLOyGPCrFT_Q She has this...