Listening to TaniA Kyllikki’s new single, “I PROMISE (I'll Wait For You)”, is like stumbling upon a vow carved into the stone of a forgotten chapel. This is an epic power ballad, a genre that too often inflates emotion into melodrama, but Kyllikki, alongside producer Rynellton, constructs something with a different kind of gravity. It is an architectural feat, built from piano chords that...

Listening to Shani Weiss's new single, "What's Left," feels a bit like stumbling upon someone’s deeply personal, slightly crumpled packing list before a monumental journey. Weiss, a Melbourne-based folk-rock songwriter and host of Indie Spotlight Melbourne, bottles a very specific kind of pressure here – the internal kind that feels less like a weight and more like a rising tide inside your own chest. https://open.spotify.com/album/56VjWTwzCr3bafDHSlUpN4?si=SWijn37SREeVVhxTs26DsQ There's...