Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...

RSAI’s new single, “Let The Good Times Roll,” has waltzed into my listening rotation, and honestly, it feels a bit like finding an unexpected party already in full swing in your own living room. This Moscow-based musician seems intent on manufacturing pure, unadulterated joy, the kind that fizzes up from your toes and demands a bit of a shimmy, whether you’re ready for it...