Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

Listening to the new release from Glass Cabin, the album "Emmylou", feels like finding a box of letters you were never meant to read, tucked away in the back of a closet in a rental house. There is an immediate sense of intrusion, but you stay because the story is too compelling to leave. Jess Brown and David Flint have crafted something here that...