Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...

There's an intimacy to the new FREE/MAN release, "The Reconnection EP," that borders on a welcome invasion of personal space. It is the sonic equivalent of someone leaning in, not to share a secret, but to create the silence where your own might finally surface. Charlie Freeman hasn't built a grand cathedral of sound here; he's simply furnished a quiet room with stark, necessary...