WAIN’s debut EP, "Still Colorful", arrives not as a singular declaration but as a meticulously curated gallery of the self, with one man acting as architect, painter, and lighting technician all at once. It’s an unusual feeling, listening to it. You get the sense that you’re touring a house designed and built by a single, obsessive artisan, but where every room is inhabited by...

Farbod Biglari’s new single, "Waltz for Baran (The Rain Waltz)," arrived like a polite invitation to a forgotten ballroom, where the chandeliers are lit but the guests are all pleasingly melancholic figments of memory. It doesn't swagger; it glides, a full orchestral sway that clearly tips its hat to the spirit of composers like Stelvio Cipriani, not by mimicry, but by sharing a certain...