Gary Mictian’s "All I Ever Wanted" has just zapped into my ears, and it’s like being handed a perfectly ripe, glowing fruit by a robot who might also be quietly plotting your emotional unraveling. This London producer delivers a single that struts with that tell-tale Hyperpop swagger; a beat so bouncy it could escape a child’s birthday party, a bassline with a satisfying, almost...

Sam Ostler’s new single, “Lights,” then. It unfolds less like a sudden, intrusive glare and more like the slow, determined burn of a really good stage light finally finding its mark after a prolonged blackout. It’s pop, yes, vibrant and undeniably contemporary as advertised – clean lines, clear intentions. Yet, there’s a certain satisfying heft beneath the melodic uplift, a feeling that these notes...