Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...

Anacy's “Frosty” just landed, and honestly, it's like finding a lone, slightly melted candy cane in the back of the cupboard – a bit melancholic, oddly sweet, and intensely…there. This isn’t your standard jingle-bell affair. Anacy, who carves out these sonic spaces somewhere between indie-pop and, what? Festive electronica? It’s like wrapping Christmas lights around a synthesizer, I guess. They’re South African, too, which...