The Alessandro Savino Project serves up a new single, “SORRY,” and it arrives feeling less like a song and more like a strange, beautiful confession made under the low-wattage glow of a bar sign after everyone else has gone home. The word itself is so insufficient, isn't it? A pebble of a word meant to fill a canyon. But this track isn't the pebble;...

There is a specific kind of melodic stride in Lana Crow’s new release, “Orwellian Times,” that reminds me, quite vividly, of the way people walk when they’re late for a meeting they know is going to be an absolute disaster. It is brisk, purposeful, and rhythmically catchy, yet underpinned by a distinct, vibrating anxiety. This British singer-songwriter has crafted a track that feels less...