Geoff Westen’s album, “Music For My Friends”, thumps onto the scene like a dropped box of heavy disco balls – all shiny potential energy and the slight threat of chaos. It aims for that classic pop song euphoria, the kind designed to rattle car speakers and fuel late-night dance floors, an "aural assault" as Westen puts it. And it does pulse with energy, a...

Anacy's “Frosty” just landed, and honestly, it's like finding a lone, slightly melted candy cane in the back of the cupboard – a bit melancholic, oddly sweet, and intensely…there. This isn’t your standard jingle-bell affair. Anacy, who carves out these sonic spaces somewhere between indie-pop and, what? Festive electronica? It’s like wrapping Christmas lights around a synthesizer, I guess. They’re South African, too, which...