Janet Devlin releases "Candy", and she sounds like she’s wearing a smirk that could stop traffic. This track doesn't tiptoe; it struts. From the jump, we are met with a rhythmic, plucking string vibration a gritty, staccato backbone that acts like the nervous system of the song. It’s propelled by a heavy, stomping beat that feels authoritative, the kind of pulse that makes you...

Listening to Shani Weiss's new single, "What's Left," feels a bit like stumbling upon someone’s deeply personal, slightly crumpled packing list before a monumental journey. Weiss, a Melbourne-based folk-rock songwriter and host of Indie Spotlight Melbourne, bottles a very specific kind of pressure here – the internal kind that feels less like a weight and more like a rising tide inside your own chest. https://open.spotify.com/album/56VjWTwzCr3bafDHSlUpN4?si=SWijn37SREeVVhxTs26DsQ There's...