Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...

Angelo Ceriani's new album, "Lofi Weather," arrives not with a bang, but like a slow-moving front rolling in off Lake Maggiore, where I imagine his Somma Lombardo studio might catch the changing light. These ten instrumental pieces, curated from two decades of Ceriani simply making music (1995-2015, no less!), feel less like a planned collection and more like leafing through someone’s sonic sketchbook, found...