Blind Man’s Daughter has constructed something peculiar with the single “Harbor Boulevard,” a song that feels less like a piece of music and more like discovering a perfectly preserved room from a house that no longer exists. Ashley Wolfe’s project here builds a world with the clean, approachable architecture of country-pop, yet there’s a strange dust mote shimmer in the air—those cinematic flourishes—that catches...

Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...