Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...

The arrival of Dan Devlin’s EP, "SCREAM," feels less like a music release and more like discovering an exquisitely crafted, slightly alarming Fabergé egg on your doorstep – open it up, and a miniature, glittering opera of heartbreak and eventual, roaring triumph plays out. Devlin, who seems to juggle the roles of singer, songwriter, producer, and DJ with the aplomb of a seasoned circus...