Sound Liberation’s “Elegy” isn’t so much an album as it is an unbolting of several sonic cages, letting the inhabitants mingle, argue, and eventually, find a strange, compelling harmony. Gene Pritsker and his rotating ensemble are, as ever, on a crusade against the "segregation of sound vibration," and here, their weapon of choice is grief, remembrance, and an absolutely defiant refusal to sit still...

A broken teacup, stained with Earl Grey, hums with the same quiet ache as "Jeg Glemmer Dig Aldrig." Tomas Raae and the ethereal voice of Eline Hellerud Åsbakk craft something fragile, like frost on a window pane – beautiful and inherently ephemeral. It’s a love song, maybe, or a lament. It’s hard to pin down the heart of it exactly, which, I suppose, is...