What does it mean for music to be “live” anymore? In an era of backing tracks, digital corrections, and performances polished to a frictionless gleam, the term has lost some of its meaning. It often signifies little more than the physical presence of a performer on a stage. But then, an album like Udeigwe’s "Live in Williamsburg" appears, and it serves as a powerful reminder...

Clare Easdown’s new single, "Lipstick On My Restraints," doesn't arrive so much as it materializes, spitting glitter and venom in the face of polite society. This is the sound of a patient hijacking the asylum’s PA system, a furious and fiercely glamorous reclamation of a narrative. It’s a track that feels less written and more clawed into existence, forged in the friction between imposed...