There is something deliciously conspiratorial about Hidden Shores and the release of the "Neon Silence" EP. I find myself picturing the artist wiping chalk dust off their hands after a day of teaching elementary schoolers, only to go home, dim the lights, and converse with algorithms. It’s not your typical moonlighting gig; while most are decompressing with reality TV, Hidden Shores is out there...

Listening to Bloomfield Machine's new seventeen-track instrumental album, “Copium,” feels a bit like stepping into a terrarium during a quiet downpour. The title itself suggests a kind of modern, knowing self-delusion, the balm we apply just to get by. Yet, the music crafted by Huntington Beach’s Brian Kassan is far too sincere for pure cynicism. This isn’t the sound of giving up; it’s the...