Dan Wilkie’s sixteen-song album, "MelodyBox," arrives not with a neat bow but feeling more like an overstuffed cabinet of curiosities flung open by its Shefford-based creator. Wilkie, working solo as a multi-instrumentalist and producer, wrangles virtual instruments and real vulnerability into something uniquely his own, steeped in the melodic hooks of 60s/70s pop but often taking sharp turns down less-travelled, sometimes shadowed paths. https://open.spotify.com/album/0EX2aW7d7JSQ2xonrFDGvZ?si=XRwACPuoRW2vG_PAITRfyg The album...

There is a specific weight to Chellcy Reitsma’s "Carpe Diem," one that feels less like a motivational poster and more like a heavy coin you’ve carried in your pocket for years, its edges worn smooth by worry. It announces its intention with a title we think we know, a bright promise of seizing the day, but the music itself doesn't offer easy platitudes. Instead,...