My Glass World and their new album, “Stranded Assets,” have barged into my ear-space, rather like that one uncle at a wedding who insists on telling you about his model train collection, but then, confoundingly, reveals a profound truth about the human condition just as you’re reaching for another vol-au-vent. This isn't background music; it’s foreground chaos, beautifully arranged. https://open.spotify.com/album/3gpEQRokHZeUiqcVowd6ie?si=SsoiuiuwSvmQSWcX2K06_Q The British duo, Jamie Telford and...

Kevin Driscoll’s debut single, “Black It Out,” doesn’t so much introduce a new artist as it kicks open the door to a room mid-deconstruction. You’re immediately in the thick of it, dust in the air, surrounded by the emotional wreckage of something that was clearly, once, a home. https://open.spotify.com/track/02int8lfeW6gHlW85zb9Le?si=VphHuhmKSE68wTx4ebJ9ew That promised “catchy rhythmic guitar” has a beautifully troubled energy. It’s not a hook that invites you...