Owen Young’s “Three” EP is like finding a worn, familiar photograph in an old box, only to discover the person in the picture is wearing a lampshade. It’s deeply personal, yet jarringly relevant to the world spinning outside my window. We are dealing with themes of impermanence, the kind that makes you check if the stove is off, twice, every time. You can tell...

Farbod Biglari’s new single, "Waltz for Baran (The Rain Waltz)," arrived like a polite invitation to a forgotten ballroom, where the chandeliers are lit but the guests are all pleasingly melancholic figments of memory. It doesn't swagger; it glides, a full orchestral sway that clearly tips its hat to the spirit of composers like Stelvio Cipriani, not by mimicry, but by sharing a certain...