Janet Devlin releases "Candy", and she sounds like she’s wearing a smirk that could stop traffic. This track doesn't tiptoe; it struts. From the jump, we are met with a rhythmic, plucking string vibration a gritty, staccato backbone that acts like the nervous system of the song. It’s propelled by a heavy, stomping beat that feels authoritative, the kind of pulse that makes you...

When you hear the name Stephen Thomas, you might right away think of Charleston, West Virginia, or maybe his own genre name, "Universal" As a label, it does not feel like a neat box. Instead, it feels like an open field where hip-hop and alternative pop music mix. His most recent song, "Breaking Hearts," sounds a lot like that. It utilises sounds from artists like...