Caitlin Mae's single "House Sitting" slid into earshot less like a shiny Nashville calling card and more like finding a faded letter tucked inside a secondhand book. It’s labelled country, and the soft rock structure gives it shape, but the atmosphere? That’s pure, unadulterated heartache, distilled. Mae possesses one of those voices – technically brilliant, sure, but more importantly, emotionally transparent. You hear the...

Julia Faulks’ new EP, “Colours”, doesn’t so much present a palette as it does the messy, satisfying work of mixing the paints yourself. It's a six-song study in emotional reciprocity, a sonic accounting of what it costs to love and what it means to be loved in return. https://open.spotify.com/album/6o7E8t0HKQCUiu9uINpATo?si=612B0YA9TJCuKfH-ndCupg Faulks operates in that murky, humid space she calls the “in-between,” where affection curdles into obligation and...