There is a specific kind of melodic stride in Lana Crow’s new release, “Orwellian Times,” that reminds me, quite vividly, of the way people walk when they’re late for a meeting they know is going to be an absolute disaster. It is brisk, purposeful, and rhythmically catchy, yet underpinned by a distinct, vibrating anxiety. This British singer-songwriter has crafted a track that feels less...

Janet Devlin’s new single, “Houston,” arrives as a gleeful contradiction, a two-stepping Americana anthem for the sovereign state of one. It has all the upbeat, country-rock fixings for a roadside sing-along, yet its heart is miles away, floating in a self-imposed, wonderfully stubborn vacuum. The track opens, and you’re ready for a communal good time; instead, you find yourself at a party where the...