The arrival of Dan Devlin’s EP, "SCREAM," feels less like a music release and more like discovering an exquisitely crafted, slightly alarming Fabergé egg on your doorstep – open it up, and a miniature, glittering opera of heartbreak and eventual, roaring triumph plays out. Devlin, who seems to juggle the roles of singer, songwriter, producer, and DJ with the aplomb of a seasoned circus...

Seishin Takeno's "Echoes," a sonic postcard from Kanagawa. Nine instrumental pieces, I've been told. Not nine songs, mind you – more like nine shaded windows into a particular kind of quiet. This isn't music that yells; it leans in, like a friend confiding a secret you half-hear on a summer porch. Immediately, you're not so much listening as remembering. Or maybe anticipating. It feels...