Natasha, out of K.C., presents her new single, “Life’s Little Tragedies,” and it’s rather like an old, slightly melancholic tune you half-remember, then it snags you. The folk-jazz-pop tapestry, woven with soulful cello and unvarnished acoustic guitar, creates an atmosphere that’s chill, certainly, but with an undercurrent that pulls you in to listen closer. https://open.spotify.com/album/1IZqhutFIL4aVNVMTH4h7m?si=rCWdvIjKSsqWV7ok9_aBzA The song unpacks how present pain—a romantic betrayal, the rotter—can yank...

Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...