Most music that arrives with the label “meditative” feels like an instruction to relax—a gentle but firm command. Karen Salicath Jamali’s “Angel Gabriel’s Light,” however, doesn’t instruct; it simply arrives. Listening to this single for the first time is like walking into a room to find the light has changed color, subtly and without explanation. You don’t question how it happened. You just stand...

Farbod Biglari’s new single, "Waltz for Baran (The Rain Waltz)," arrived like a polite invitation to a forgotten ballroom, where the chandeliers are lit but the guests are all pleasingly melancholic figments of memory. It doesn't swagger; it glides, a full orchestral sway that clearly tips its hat to the spirit of composers like Stelvio Cipriani, not by mimicry, but by sharing a certain...