Listening to Shani Weiss's new single, "What's Left," feels a bit like stumbling upon someone’s deeply personal, slightly crumpled packing list before a monumental journey. Weiss, a Melbourne-based folk-rock songwriter and host of Indie Spotlight Melbourne, bottles a very specific kind of pressure here – the internal kind that feels less like a weight and more like a rising tide inside your own chest. https://open.spotify.com/album/56VjWTwzCr3bafDHSlUpN4?si=SWijn37SREeVVhxTs26DsQ There's...

Listening to Weston Day release "Storms" feels a bit like opening a window during a gale just to see if the glass will hold. It’s a rush of air, sudden and brisk. While his style is often bookmarked as "Elvis Costello meets Paul Simon," I hear a man frantically trying to explain a complicated heartbreak before the bar closes. https://open.spotify.com/track/1YxtWM0OIRR0ShlLMhxKmc?si=d5BvDBy8Qdib-_4WhMb-kA Armed with an 8-string baritone acoustic...