Amy-Lin Slezak’s “Known 3 Yrs. Seen 24 Hrs” opens with the bright, optimistic twang of country pop, a sound so sun-drenched you can almost feel the heat coming off the asphalt. The fiddle weaves itself through clean acoustic strums and soaring electric guitars, a musical language we all know. But the story it tells is something wonderfully specific, a peculiar ache you didn't know...

Listening to “Small Town Syndrome” by thinking silly is an exercise in delightful contradiction. Dylan Morrison’s project, shaped here by the production hand of collaborator Margot Taylor, builds a sleek, propulsive chassis of dark pop and minimal techno, only to house an engine of pure, grinding ache. It’s the sound of someone forcing a smile so wide their face hurts, a dance track for...