Helena May’s new single, “Side Effects,” doesn’t just enter a room; it strides in with the kind of confident, hip-swinging swagger that makes you instinctively check your own posture. This is Brit-Funk with a capital F, built on a groove that feels less like a rhythm and more like a wry, talkative companion. It’s got that specific, indefinable warmth of an old analogue recording,...

GISKE’s "The Sound of Birdsong" doesn’t so much begin as it seeps into the room, like the pale, perpetual twilight of a Norwegian summer night where sleep feels like a theoretical concept. This is a song for the space between the last page of a book and turning off the light; a four-minute float in that strange, conscious stillness when the world is quiet...