The opening seconds of Brett Copeland’s single, "I Wanna Live", don’t ask for your attention; they stage a hostile takeover. This is a song that feels less written and more clawed out of a desperate moment, built with the kind of volcanic energy that powers revival tents and bar-room brawls. Copeland’s voice is the main event—a raw, muscular instrument that sounds like it's been...

Seven Shades of Nothing’s new single, “When The Lights Go Down,” offers an incredibly peculiar form of comfort—it’s a soundtrack for deciding, over your third cup of lukewarm coffee, that perhaps global, society-dissolving collapse might actually be a blessed relief. James Cole, the project’s architect, doesn't sound panicked about the approaching end; he sounds incredibly, beautifully bored by everything that led up to it. https://open.spotify.com/album/0Z5K652TNvuB9fpt9Amdut?si=_mevo7tcSGunNpswpfCSsQ This...