Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...

Listening to Sons of Martha's new single, "Samurai Smile," feels a bit like finding a beautiful, slightly unnerving porcelain doll tucked away in a toolbox – all sharp edges and unexpected fragility. This North London outfit promised a harder sound, and they deliver; guitars chew and churn with a satisfying grit reminiscent of early '90s Manchester swagger, but filtered through a distinctly modern unease....