Sophia Mengrosso’s new album, “Unforgiven”, doesn’t so much start as it does detonate, a thirteen-song treatise on survival. Her voice, a thing clearly trained for gilded halls and velvet curtains, instead wails from within a foundry’s clang and fire. The result is a bizarre and beautiful collision, the sonic equivalent of discovering a lost Caravaggio painting lit by a flickering fluorescent tube in a...

With his new single "Grandmas Kitchen", Kainine doesn’t so much drop a track as he does release a scent. You hear it immediately—not a sound, but the olfactory ghost of chicken foot soup steaming up a windowpane, a warmth that seeps through the cracks of a brutally cold narrative. The East London artist has built a world here where the ambient comfort of a...